This model of Banjo was designed to be played loudly, at the request of a musician performing on big scenes, without risking feedback, or catching  other instruments' sound, as it happens with an acoustic banjo.
For this, I imagined a "skin" made of carbon, suspended on a soft material to reproduce the damping of a real skin; Equipped with an Ischell sensor, it produces a sound very close to the acoustics, lined with an electric sound by its micro type Tele.
Mahogany body - Composite skin / membrane
Width of body 360mm - Thickness 40mm-
Electro Ischell System
Micro magnetic type Telecaster
Separate outputs and volumes

Neck 12 inlays -
Cedar top
Fan brace
Back and sides in walnut-
Fingerboard 20 inlays in cormier
Easel in cormier -
Bindings cormier
Diap 600 mm -
Enclavement 17th inlays

Created for the musician Jean-Luc Priano, this Cuatro takes the dimensions and principles of its Venezuelan cousin, with a contemporary design based on a mini-ouessant.

Mahogany body

Maple table

Mahogany glued neck

20 ebony fretboard keys

Custom bridge

Bindings cormier

Diap 500 mm -

Enclosure 17th fret

2 single microphones

Select + Vol + ton

Custom-made, this electric mandola is fitted with 2 single-coil strat type microphones,

with a 500 mm scale (with a Quark shape, one of my guitar models)